Edward White Art Collections
Shop for artwork from Edward White based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Edward White
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Crescent Bay December by Edward White
Crystal Overlook by Edward White
Burning off at Crystal by Edward White
Mendocino Evening by Edward White
Farmington River Fall by Edward White
Plymouth South to the Cape by Edward White
Dana Point Overlook by Edward White
Elm Knoll September by Edward White
Pacific Air Cambria Coast by Edward White
Kinoshita Farm Capistrano by Edward White
Morro Bay Wetlands by Edward White
Whitehorse Beach Sunlight by Edward White
Duxbury Calm by Edward White
Santa Monica Beach by Edward White
Sisson April Evening by Edward White
A Walk in the Park by Edward White
Connecticut River Thaw by Edward White
Aliso Beach by Edward White
Cambria Shore by Edward White
LuLu's Touch by Edward White
Manomet Sunrise by Edward White
Carmel Beach by Edward White
Mendocino Evening by Edward White
Carte Noire by Edward White
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About Edward White
Open air painting and beyond
Ed White is a third generation Californian now transplanted to Connecticut. He has been painting the landscape on site since his early years at Lake Tahoe, California. His work has been exhibited and sold in California and Connecticut and is in numerous private collections.
Ed often works on location, and completion of these works usually demands a small size because of the changing light conditions. Refining the idea, and extrapolating to a better design concept, and a larger format, is always the challenge.
“I’ve discovered that many of my paintings preserve a location that has been later destroyed by development. For me, all of them preserve a lighting, time and mood. A successful painting both communicates some of what I feel and leaves room for the viewer to bring something to the work.
“An element of the paintings that cannot be shown in reproductions of the work is the brushwork that creates the image. I love the close-up surface of the well-lighted painting. It is almost like a surface sculpture of color. Usually there are complexities within the strokes of colors and texture that are part of the experience of the painting and the observation.”

“It’s hard to part with these paintings. You feel them. You remember the air, the breeze, the bugs, the ground - in some cases the numb fingers and the coffee.“
“My influences are too numerous to count. The California and New England art colony groups, the European and Russian impressionists, and the countless extraordinary current realist and impressionist artists. It is all a wonderful and humbling legacy. The study never ends.”